___________________________________________________________________________________________________________
1989-91
MFA, The City
1985-87
L’École Nationale Supérieure
des Beaux-Arts, Paris, France
1977-83
BA,
2004
Anonymous
Was a Woman Foundation (artist grant)
2003
Manhattan Community Arts Fund,
Lower Manhattan Cultural Council, NYC (DVD installation)
MAD’ 03 NET, 2nd
International Experimental Art Festival Madrid, (web project)
2002
Manhattan Community Arts Fund,
Lower Manhattan Cultural Council, NYC (curatorial project)
2000
The
Wellcome Trust,
1991
Elizabeth
Ralston McCabe Connor Award, The City College of New
York (fellowship, painting)
1990
Elizabeth Ralston McCabe Connor Award, The City College of New York (fellowship, painting)
2004
Riot. Debs
& Co.,
2001
Rocket Science. Debs & Co.,
1999
Buster-Jangle. Debs & Co.,
SELECTED GROUP EXHIBITIONS
2005
High Spirits. Aeroplastics
Contemporary,
Regarding
Clementine. Curated by Choire Sicha.
Visionary Anatomies. National
Open Secret: A Laboratory. Curated by Maya Winfrey and Jessica Lin Cox. Visceglia Gallery,
Trouble in Paradise. Curated by Amy Lipton. Abington Art Center, Jenkintown, PA
2004
The Art
of Politics. Ashmore
Gallery, Miami Beach, FL
Motion Stills: Screen Grabs,
Sequences, Snapshots and Paintings.
Curated by Matthew Mascotte.
Savannah
College of Art & Design, Savannah, GA
Watch
What We Say.
Curated by Marc Lepson. Schroeder Romero, Brooklyn, NY
The
Infinite Fill Show.
Curated by Cory & Jamie Arcangel. Foxy Production, New York, NY
Terrorvision. Exit Art, New York, NY
Tactical Action. Gigantic ArtSpace (GAS), New York, NY
Trouble in Paradise. Curated by Amy Lipton. Van Brunt Gallery, New York, NY
Active
Duty. Curated by
Lee Wells. Studio 84, Brooklyn, NY
Toxic Landscapes. Long Beach Island Foundation for Arts
& Sciences, Loveladies, NJ
Pulse of America. Aeroplastics
Contemporary, Brussels, Belgium
Art Star/Sausage Factory. Debs
& Co., New York, NY
This is For Real: War & the
Contemporary Audience. Stony Brook University, NY
Shocked and Awed. The
Puffin Foundation, Teaneck, NJ
FILE Electronic Language
International Festival,
SESI Art Gallery, Sao Paolo, Brasil
First
International Festival of Electronic Art 404/Astas Romas. Museo Juan B. Castagnino,
Rosario, Argentina
VERSION
>04 Invisible Networks Festival. Select Media, Chicago, IL
2003
Without Fear or Reproach. Curated by Jerome Jacobs. De Witte Zaal,
Ghent, Belgium
Americana. Curated by Anne Ellegood + Rachel Gugelberger.
Crossings: Curatorial & Artistic Practice,
2003 CAA Conference, School of Visual Arts West Side Gallery, New York, NY
Night
Vision. Curated by Joy Garnett. Central Michigan University
Galleries, Mt. Pleasant, MI
The World’s A Mess, It’s In My
Kiss. Debs & Co., New York, NY
MAD’ 03 NET, Second Experimental Art Festival of Madrid, Madrid, Spain
2002
Friends & Family. Lombard-Fried Fine Arts, New York, NY
San Francisco International Art
Exposition 2001 (Debs & Co.),
San Francisco, CA
Eleven
Bulls: NYCinDC, Decatur
Blue with The Washington Project for the Arts/Corcoran, Washington,
DC
Eleven
Bulls, 15 Artists,
ProjectGreen, Brooklyn, NY
2001
SuperNature:
Landscape in Contemporary Art. Inman Gallery, Houston, TX
Fast FWD Miami (Debs & Co.), Hotel Nash Art Fair, Miami,
FL
Toxic
Landscapes. Organized by The Puffin Foundation; travels to: WASTE Conference, Rachel Carson
Inst.,
Chatham College Galleries,
Pittsburgh, PA; travels to: Puffin
Cultural Forum, Teaneck, NJ;
Biblioteca National, Havana,
Cuba; Long Beach Island Foundation
for Arts & Sciences, NJ
2000
N01se. Curated by Adam Lowe. Kettle’s Yard, Cambridge, UK;
Wellcome Trust Two10 Gallery, London, UK
The UFO
Show. Curated by Barry Blinderman & Bill Conger; Illinois State University Galleries,
Normal, IL;
traveled
to: Arts
& Science Center, Pine Bluff, AR; Univ.
of Colorado Galleries, Colo. Springs, CO
Dystopia
& Identity in the Age of Global Communication. Curated
by Cristine Wang. Tribes Gallery,
New York, NY
Meat Market Art Fair (Debs & Co.), New York, NY
1999
Persuasion. Curated
by Lea Freid & Roxana Marcoci.
Lombard-Freid Fine Arts, New York, NY
Stars of
Track and Field. Debs & Co.,
New York, NY
1998
Ground
Control. Lombard-Freid
Fine Arts, New York, NY
Bioethics: Thresholds of Corporal Completeness. Side Street Projects, Santa Monica, CA
Summer
Show. Debs & Co.,
New York, NY
2005
Raphael
Rubinstein, Art in America,
January Issue: Front Page: “Art in the Blogosphere.”
Walter Robinson, Artnet Magazine:
“Weekend Update: Regarding Clementine.” (Reproduction)
Victoria Donohoe, The
Philadelphia Inquirer: “Show examines environment and landscape.” (Reproduction)
Adbusters
Magazine (Vancouver, BC): Issue 58. (Reproduction)
2004
Roberta
Smith, The New York Times:
“The Infinite Fill Group Show.”
Grace
Glueck, The New York Times:
“'TERRORVISION': Sampling Degrees of Terror, From Al Qaeda to Cancer.”
Karen
Rosenberg, New
York Magazine: April 26-30, “Galleries Exercise their First Amendment
Rights.” (Reproduction)
Jane
Harris, The
Village Voice: “Getting Personal, and Very Idiosyncratic at Exit Art.”
The New Yorker, Galleries-Chelsea: “Joy Garnett, Riot.”
Tyler
Green, Artnet
Magazine (NY): “D.C Diary: Joy Garnett & Ian Whitmore.” (Reproductions)
Harper’s Magazine: June Issue: “Briefings.”
(Reproductions)
Carlos Suarez de Jesus, The Miami Herald:
“Call to Arts: Armed Artists of America rally against the war in Iraq,”
Miami Beach, FL
Monique Bos, The
Chronicle, Vol.4, no.22: ‘Stills’ Captures Movement, Savannah, GA
Rachel Greene, Internet Art, by
Thames & Hudson (World of Art series), London UK
Amy
Lipton, Orion
Magazine: Trouble In Paradise. Sept/Oct 2004
(Reproductions)
Perspecta
36: “Juxtapositions” Yale
University School of Architecture Journal/MIT Press; Contributors: Mark C.
Taylor,
Saskia Sassen, Marjeta Potrc, Michael
Wesely, and others. (Reproductions)
Adbusters
Magazine (Vancouver, BC): March/April Issue
52. (Reproductions)
2003
Cabinet
Magazine (NY), Issue 12, The Enemy:
Postcard Project.
Tom
Vanderbilt, Knowledge Circuit,
Design Institute, University of Minnesota: “War as Architecture.”
LMCC LowDown, Lower Manhattan Cultural Council
Bulletin (NY), Spring Issue: The Future of War. (Reproduction)
Rachel
Greene, Rhizome Net Art News:
“Da Bomb, for Real.”
Annick Rivoire, Libération (Paris, France): « Veillée
d’armes anti-Bush sur le Web. »
2002
The New Yorker, Galleries-Chelsea:
“Night Vision.”
Matthew Mirapaul,
The New York Times, Technology: “Sept. 11 Attack, Depicted With
Electronic ‘Pigment.’”
Tema Celeste, News & Around, Issue 91: “Night Vision.”
Artnet
Magazine: “Night
Vision: Out at White Columns.” (Reproduction)
Yoko Takahashi, Instyle Magazine/Ryuko Tsushin, Issue No.8 (Tokyo, Japan): “Night Vision.”
Steve Rogenstein, Flavorpill, #110:
“Night Vision: Panel.”
Cay
Dickson, The Houston Chronicle -
What’s Online (Houston, TX): “The Bomb.”
Annick Rivoire, Libération (Paris, France): « Le Net
s’illustre contre la guerre. »
Helen
Varley Jamieson, Rhizome Net Art News:
“Not For the Squeamish.”
Jean-Guy Allard, Granma International (Havana, Cuba):
“Successful Opening For Toxic Landscapes Exhibition.”
Lee Klein, The Daily Gabrius (San Francisco, CA): ‘The San Francisco Art Fair.’
Jim
Beckerman, The Record
(Hackensack, NJ): “Landscape works
with a down-to-earth bent.”
2001
Hilarie
M. Sheets, ArtNews,
March Issue: “Reinventing the
Landscape.” (Reproduction)
Kevin
Pratt, Time Out New
York, May 17-24: “Joy Garnett, Rocket Science.” (Reproduction)
François Landon, Transfert (Paris, France): « Les fusées atterrissent à New York. »
Michel Moutot, Agence France-Press: « Des missiles, des avions, des fusées et des pinceaux. »
Matthew
Mirapaul, The New York
Times, Technology: “A War
Game (Sort of), but You Can’t Control the Action.”
Kurt Shaw, Pittsburgh Tribune-Review: “Pair of Shows Comment on Environmental Issues.”
Kelly
Klaasmeyer, Houston Press: “The Not-So-Great Outdoors: Inman Exhibit Explores the Darker Side of
Mother Nature.”
Roberta
Bosco + Stefano Caldana, El
País (Madrid): “Los artistas
plasman una visión pacifista tras el 11-S.”
Emil
Memon, New York Arts
Magazine, June Issue: “Joy Garnett’s Rocket Science.” (Reproduction)
First Pulse: A Personal Journey
in Cancer Research, (1998; 2001) Dr.
Merrill Garnett, ed. Bill Jones.
First Pulse Projects, Inc., New York, NY
(Reproductions)
Artnet Magazine: “Fast Forward Miami: The new art fair held at the
Hotel Nash.” (Reproduction)
Artnet Magazine: “Alphabetical Spring: Photos of the New York art
scene.” (Reproduction)
2000
Robert
Atkins, Media Channel: Arts +
Culture: “Beauty + the Beast.”
Kelly
Morris, The Lancet
(London, UK): “Exploring sci-art: the
final frontier.”
Melissa
Merli, The
News-Gazette (Normal, IL): “UFO art show has layers
of meaning.”
1999
Christopher
Phillips, Art in
America, November Issue: “Joy Garnett at Debs & Co.”
(Reproduction)
Tim
Griffin, Time Out New
York, June 3-10: “Joy Garnett, ‘Buster-Jangle.’” (Reproduction)
The New Yorker,
Galleries-Chelsea: “Joy Garnett at Debs & Co.”
Ken
Johnson, The New York
Times, Art Guide: “Joy Garnett at Debs & Co.”
Merry
Meikle, New York Arts
Magazine: “Disaster Imagery in Contemporary Painting.”
(Reproduction)
1998
Claudine
Isé, The Los
Angeles Times:
“Examining Consequences of Medical Advances.”
Ken
Johnson, The New York
Times, Art Guide: “Ground Control.”
Art of the X-Files,
introduction by William Gibson. Lookout +
Harper Prism, New York, NY (Reproduction)
CURATORIAL PROJECTS
2002-03
Night
Vision, Curated by Joy Garnett. Participating artists: Jordan
Crandall, Christoph Draeger, Joy Garnett,
Adam Hurwitz,
Bill Jones + Ben Neill, John Klima, Joseph Nechvatal, Jonathan Podwil, and the
Radical Software
Group. 16-page
catalogue, essay by Tim Griffin. Originating: Illinois State University Galleries, Normal, IL;
traveled to White Columns, New York; Central Michigan University Art Gallery, Mt. Pleasant, MI
2004
Visionary Anatomies. Essay by Dr. Michael Sappol. National Academy of
Sciences, Washington, DC
Tactical Action. Essay by Sharmeen Khan.
Gigantic ArtSpace, New York, NY
2002
Night
Vision. Essay
by Tim Griffin. First Pulse Projects, Inc., New York, NY
2001
Rocket Science. Essays by Manuel DeLanda & Bruce
Sterling. Debs & Co., New
York, NY
2000
The UFO Show. Essays
by Barry Blinderman, Carlo McCormick, Rudy Rucker, Paul Laffoley, et al.
Illinois State University Galleries,
Normal, IL
N01se: Information &
Transformation. Essays by Umberto Eco,
Peter Galison, Bruno Latour,
Simon Schaffer, Bruce Sterling, et al.
Kettle’s Yard, Cambridge, UK
N01se. Edited by Denna Jones.
The Wellcome Trust, London, UK
1999
Buster-Jangle. Artist’s multiple. Debs &
Co., New York, NY
2000-present
The Bomb Project: Online compendium of
nuclear-related links, imagery and documentation organized as a resource for
artists: http://thebombproject.org
NEWSgrist – where spin is art: Art + technology news digest + blog: http://newsgrist.net; http://newsgrist.typepad.com
1998-present
First Pulse Projects, Inc: Art,
technology & science experimental collaborative: http://firstpulseprojects.net
2005
College Art Association, Atlanta: Publications
Committee Panel Session: “Between 0 and 1: Digital Rights and the Future
of Art Images
Online.”
Suffolk Community College, Selden,
NY: “Terrorists to Freedom Fighters: Images of Women in Wartime.”
Montclair High School, Montclair, NJ: “Painting
Mass Media and the Art of Fair Use.”
2004
Columbia University School of the Arts, New
York: Center for New Media Teaching & Learning Lecture Series on Open
Source Culture,
Intellectual Property, Technology and the Arts: “Painting Mass Media and the
Art of Fair Use.”
Artists Space, New York: “Protect Yourself:
Copyright issues and fair use information for artists.”
Witte
de With Center for Contemporary Art, Rotterdam: “Under Fire: On the organization
& representation of
violence.” (online contributor)
2003
The New School, New York: “The Future
of War: Aesthetics, Politics, Technologies.”
2002
White Columns, New York: “Night Vision
Exhibition: Panel.”
Illinois State University Galleries, Normal,
IL: “Night Vision Exhibition: Lecture.”
2000
Artists Space, New York: “Digital SWAT!”
Artists Space, New York: “Think Tank on New
Media + Alternative Spaces.”
2004
Under
Fire I: On the organization and representation of violence. Organized by Jordan Crandall;
Co-editors: Asef
Bayat, Susan Buck-Morss, Hamid Dabashi,
Brian Holmes, Gema Martín Muñoz. Witte de With Center for
Contemporary Art, Rotterdam, The
Netherlands. (Reproduction)
Intelligent
Agent Magazine: Intellectual Property & Copyright, Vol.4, no.2: “Steal This Look.”
(Reproduction)
2003
LMCC
LowDown, Lower
Manhattan Cultural Council Bulletin, Summer Issue: “War Re-Framed.” (Reproduction)
2002
21C
Magazine,
Summer/Fall Issue: “Night Vision: Notes from the curator.” (Reproductions)
Wegway
Magazine (Toronto, Ontario) Issue 4: “Night
Vision: Notes from the curator.” (Reproductions)
Sandbox
Magazine (Brooklyn, NY) Issue 10: “The
Screen >it hurts my eyes<”
2001
Interaction: Artistic Practice
in the Network, edited by Amy Scholder with Jordan Crandall;
foreword by John
S. Johnson. Eyebeam Atelier/DAP, New York, NY
1999-2001
Artnet Magazine: “Into Africa” column on the Arts of Africa and the
diaspora.
1999
Artnet Magazine: “Romancing the Sky: Cosmic Contemplation at the
Montreal Museum of Fine Arts.”
1998
ArtByte: The Magazine of Digital
Arts, Vol.1, no.5: “Think
Again! Postmodernity, Zen, & the Cyberpunk Soft Drink.”
The West Collection, SEI Investments, Oaks,
PA
Garnett McKeen Laboratory,
Bohemia, NY
____________________________________________________________________________________________________________
Joy Garnett: 530 LaGuardia Place #5 New York, NY
10012 t: 212 473 6330 / 212
650 2821 e: joy.garnett @ gmail.com